LA GRÂCE series emerged during a time of deep spiritual unfolding — a sacred season in which the invisible thread of the divine became vivid, tender, and near. Each piece is a gesture of gratitude, a reverent bow toward the unseen, the mysterious fabric of existence.

In SPRINGTIME JOY, grace bursts forth through nature’s untamed bloom, an ecstatic hymn in color and form.

MURMURED PRAYERS carries hundreds of handwoven fragments, each one etched in silence with prayers to the Virgin — hidden on their reverse, like secrets nestled close to the heart.

In MUSANDAM NIGHTS, golden strands weave through alabaster marble, recalling a half-dreamed memory where star-strewn skies bend to kiss luminous waters.

This series is my quiet testimony: that beneath the visible, beyond the tactile, all that exists is divine love.

The making, too, is an act of devotion. I developed my own technique for weaving salvaged leather remnants — breathing new life into the discarded. With the sensibility of a mosaicist, I treated these fragments as tesserae, threading them into a firm aluminum mesh. I’m often drawn spontaneously to a material, a color, a texture — not knowing at first how it will speak, only that it will. And in time, as with all sacred things, the way reveals itself.